Rather conservative for a piece coming from the workshop of Love Geiger and Sara Mossberg, this smooth Tomato still manages to play with conventions. Taking a shape generally flattened to some degree along the x axis and instead elongating it, the pair have given this compact little number agility and movement, a feat helped in part by the broad transition broadening even further out to a dramatically flared stem base.

Finished smooth, this lithe piece is covered in flame grain and replete with birdseye along the base, all brought to bear with a contrast stain and paired to a simple, jet black stem.

— Adam O'Neill