Though similar to other Horns to come from Peter's workshop — and there's been a few, as Peter seems to be particularly keen on the ambiguity the shape provides — especially in it's treatment of the shank and half-saddle stem, this particular Horn differs drastically in its aggressively upright posture. Not content with a more languid transition from the Dublin-esque bowl, Peter has instead provided a more assertive bend, lending the piece an almost rattlesnake like sense of dynamism.

— Adam O'Neill